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Max Book

Max Book, born 1953, Swedish artist.
Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work.

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  • Tjugoandra Zorn
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Tjugoandra Zorn

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  • Planeten Saturnus
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Planeten Saturnus

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  • Santos
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Santos

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  • Monstrum
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Monstrum

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  • Gardin o Gardin
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Gardin o Gardin

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  • Sekel
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Sekel

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  • Stopton
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Stopton

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  • Loge
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Loge

    €3,200.00 Inc. Vat
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  • Karater kratta och krater
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Karater kratta och krater

    €6,200.00 Inc. Vat
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  • Servil syster dunkel skog
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Servil syster dunkel skog

    €6,300.00 Inc. Vat
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  • Pleiadernas tyngd och tårar
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Pleiadernas tyngd och tårar

    €6,700.00 Inc. Vat
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  • Dionysix
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Dionysix

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  • Pink platta
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery That ends today 10 August, only few days left to buy this artwork. Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Pink platta

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  • Old teen
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Old teen

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  • Sublis
    In the exhibition "BeHillys vägg av trög flod" at Redsheep Gallery Acrylic based mixed media on canvas Max Book, born 1953, Swedish artist. Max Book first attracted attention in the 1980’s for his dark, expressive and monumental paintings. He has long been considered one of the most acclaimed and accomplished painters of his generation in Sweden. As a painter, Book has developed a unique and experimental visual language mixing paint, pasted collage, graffiti influences, strange characters and contradictory objects within his work In the 1980s, Max Book was part of the so-called Wallda group together with Eva Löfdahl, Stig Sjölund, Tomas Lidén and Ingvar Sjöberg. 1995-2000 Book worked as a professor at the Royal Academy of Arts in Stockholm. Since 1996, he has been a member of the Royal Academy of Arts. Max Book soon attracted a lot of attention when he entered the art scene in the 1980s and became one of the most celebrated painters of postmodern art in Sweden. In his painting, the fateful basic chord is disturbed by dissonances and inserted fragments. Reality interferes with the vision, the present finds itself in the middle of the past and civilization collides with nature. You could also say that we seem to dive straight into our conflicted subconscious where a complex contemporary shares space with universal archetypes. Max Book has exhibited at International Artists, PS 1, New York, Art Cologne in Cologne, Modern Museum, Stockholm, Forum, Zurich, World's End in Copenhagen, ASF Gallery, New York, Center Culturel Suedois, Paris. Norrköpings Konstmuseum, Horsens Konstmuseum i Danmark, Lunds Konsthall, Sundsvalls Museum, Liljevalchs Konsthall, Galleri Magnus Karlsson, Galleri Engström, Norrköpings Konstmuseum, Forum, Zürich, Künstlerhaus Bethanien, Berlin. Malmö Konsthall, Kunst RAI, Amsterdam, ARCO, Madrid, Rooseum, Malmö, Konstant 90, Leningrad and Prins Eugens Waldemarsudde. His work can be found in the collections of the National Museum in Stockholm, the Gothenburg Museum, the Norrköping Art Museum and the Modern Museum in Stockholm.

    Sublis

    €6,700.00 Inc. Vat
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